Showing posts with label 1950. Show all posts
Showing posts with label 1950. Show all posts

Thursday, 11 July 2013

1950 - Seascape


Seascape 1950
Oil on Canvas
63.5 x 76.2 cm
Glasgow Museums

Wednesday, 10 July 2013

1950 - Northern Race Meeting


Northern Race Meeting c1950
Oil on Canvas
75 x 100.6 cm
Museums Sheffield

Monday, 8 July 2013

1950 - The Farm

The Farm 1950
Oil on Panel
18 x 20 cm
Signed and Dated 'L S Lowry 1950' (lower left)

PROVENANCE
With The Lefevre Gallery, London
Private Collection
With Crane Kalman Gallery, London, where purchased by the present owner in 1989

EXHIBITED
London, Crane Kalman Gallery, The Loneliness of L.S. Lowry, November - December 2010

Saturday, 6 July 2013

1950 - Lake Landscape

Lake Landscape 1950
Oil on Canvas
71 x 91.5 cm
Whitworth Art Gallery, University of Manchester

1950 - Industrial Landscape, River Scene


Industrial Landscape, River Scene 1950
Oil on Canvas
110.2 x 148.3 cm
Leicester Arts and Museums Service
Lowry's vision of a forest of smoking chimneys and grey buildings is punctuated with flurries of tiny figures in colourful activity. He has deliberately chosen a palette of white and greys against which the figures stand out clearly.

Friday, 5 July 2013

1950 - House on the Moor


House on the Moor 1950
Oil on Canvas
49 x 59.5 cm
The L.S. Lowry Collection

Thursday, 4 July 2013

1950 - The Pond

Tate
The Pond 1950
Oil on Canvas
Support: 1143 x 1524 mm [Frame: 1410 x 1800 x 139 mm]
Tate Collection
'The Pond' is an impressive industrial landscape containing many features typical of Lowry's work; smoking chimneys, terraced houses and on the right, in the middle distance, the Stockport Viaduct. The scene is brought to life by his so called 'matchstick' people who swarm like ants through the city's streets and open spaces. 'This is a composite picture built up from a blank canvas. I hadn't the slightest idea of what I was going to put in the canvas when I started the picture but it eventually came out as you see it. This is the way I like working best'. Lowry considered this to be his finest industrial landscape.
September 2004